The festival of Saint Anthony on 12th and 13th June is the party of the year in Lisbon. It has the same importance in Lisbon as the festival of Saint John has in Porto, but it is celebrated in a very Lisboan style. Saint Anthony, along with Our Lady of the Conception, is the patron saint of Portugal and is the unofficial patron saint of Lisbon along with the official patron saint, Saint Vincent. He was born Fernando Martins de Bulhões in what is now Saint Anthony’s church in Lisbon in 1195 and died on 13th June 1231, which is why his feast is celebrated on this day. He is a saint associated with many things including sailors, fishermen, farmers, travellers, the poor, the oppressed, the elderly, financial problems, lovers, marriage, the home and family, pregnant and childless women, single women, missing people and lost objects. The party-like celebrations take place on the 12th June, including the Saint Anthony weddings and the Marchas Populares, and the religious celebrations take place on 13th June.
The Saint Anthony weddings (Casamentos de Santo António) are one of the most endearing parts of the festival of Saint Anthony celebrations. In a tradition dating from 1958 (despite a 30-year pause after the 1974 revolution), the city council of Lisbon pays for the wedding of 16 couples who get married en masse at Lisbon city hall or in Lisbon cathedral on 12th June. The original idea for the Saint Anthony weddings was to help couples whose families couldn’t afford to pay for their wedding and while this may no longer be the case, couples (of which one member of each has to live in Lisbon) have to apply and be selected and in return the city council, through the sponsorship of various companies, provides them with the bride’s wedding dress, shoes, bouquet, hairdresser and make-up artist, the groom’s suit, the wedding rings, photographs, wedding car, honeymoon and money towards furnishing their new home. The weddings are covered throughout the day on Portugal’s national television station, RTP. With careful planning we were lucky enough to see both sets of couples appear after their respective weddings. The first couples to get married were the five couples who had a civil wedding in the city hall in the Praça do Município around midday. This was a simple but moving wedding followed by the couples appearing on the balcony where they were serenaded by the VenusMonti tuna group, made up of students from Lisbon University Faculty of Law. The couples then came down to the square where they danced to more music from VenusMonti, including ‘Se Tu Soubesses’ (‘If You Only Knew’).
After they had gone back into the city hall it wasn’t clear what was going to happen next, but half an hour later (at around 2pm) the 11 brides who were getting married in the cathedral appeared with their maids of honour walking towards the waiting classic cars. One-by-one the cars headed to the cathedral where the brides met their waiting fathers and entered the cathedral.
There were already crowds of people waiting outside the cathedral and as the service, which lasted over two hours (made longer by nine couples who had got married in 1968 renewing their vows), went on more people kept arriving. Even though there was nothing to see, except a man setting up a confetti machine, a brass band arriving and warming up, and the wedding service being broadcast through loudspeakers almost as background noise, people were determined to stand and wait for the newly-weds to come out of the cathedral. After what seemed an eternity, the couples finally appeared to the sound of the Banda de Música da Carris brass band playing Coldplay’s ‘Viva la Vida’ and Abba’s ‘Dancing Queen’ and we were able to say ‘Vivam os noivos!’ (‘Long live the bride and groom!’).
After the obligatory photos they walked down to the neighbouring Saint Anthony’s church where each couple placed a sunflower on the statue of Saint Anthony, who is known as the holy matchmaker and, as noted above, is the patron saint of lovers and marriage, and more photos were taken.
The couples then walked down the hill and through the Baixa to the Praça do Município, where they met up with the other five couples for more photos on the pillory in the centre of the square, before being driven in the classic cars to the Estufa Fria in Parque Eduardo VII for the copo-d’agua (reception). You would think that the couples would be allowed to enjoy the reception, but as the reception is broadcast on RTP the couples have to give interviews during the evening. After the reception, the couples still have one more engagement: at 11pm they make an appearance, still in their wedding attire, at the Marchas Populares on the Avenida da Liberdade where they are photographed with the President of the Republic. After that they are free to go on their honeymoon, although they are not given the chance to spend much time alone, as all the couples go on the honeymoon as a group.
The Marchas Populares (People’s Parades) are a highlight of the Saint Anthony celebrations on the night of 12th June and it felt like the whole of Lisbon had left the cathedral after the weddings were over and come down to line each side of the Avenida da Liberdade to watch the districts of Lisbon compete in a distinctly Portuguese parade which is a singing and dancing spectacular with colourful costumes and movable scenery. The first Marchas Populares were held in 1932 when the districts of Lisbon were invited to take part in a competition based on their traditional celebrations of the popular saints festivals. Over the years things have changed, but the key elements remain the same: people wearing costumes based on traditional clothes sing and dance to an accompanying marching band. The women wear very flared skirts and march on the spot with their hands on their hips while swinging their hips and shoulders. The men also march on the spot, but not as animatedly. Each year the Marchas Populares have a theme set by the organizers, the Empresa de Gestão de Equipamentos e Animação Cultural (EGEAC), and in 2018 the theme was the very famous and much-loved film A Canção de Lisboa (The Song of Lisbon, 1933) and the equally well-loved actor who starred in it, Vasco Santana (1898-1958). (The film is musical comedy about a medical student (Vasco Santana), whose studies are being paid for by his two wealthy aunts who live in the north of the country. Vasco prefers wine, women and song to studying and when he fails his final exam he lies to his aunts that he has passed the exam and got a job as a doctor. However, things start to go wrong when his aunts arrive in Lisbon wanting to see the doctor’s surgery where he has said he works.) As well as the original songs that each group composes, there had also been a competition earlier in the year to write a song that has become the parades’ theme song, that all the teams have to include in their routine. The winning song for the 2018 parades was a very catchy song, ‘Vasco é Saudade’ (‘Vasco is saudade’: a word that doesn’t easily translate as it conveys a notion of yearning and nostalgia for what is lost, whether it be a place, a person or a way of life, and for what will never be attained). Each group is represented by a madrinha and padrinho (sponsors), minor celebrities who do the obligatory RTP interview and give gifts to the President of the Republic and the Mayor of Lisbon. The Marchas Populares are not for the faint-hearted, as they start at 9pm and don’t finish until 1am, when the 23 competing teams, plus a few other groups, including a group of children representing an educational charity, A Voz do Operário (The Voice of the Worker) and a group of market traders, finish performing.
Judging of the competition is done in two stages: the first is held in the Altice Arena at the beginning of June and the second on the night of 12th June and teams are judged on criteria such as choreography, music, lyrics, costume design and set design. In 2018 the Alfama district was the overall winner. The groups perform at points along the Avenida da Liberdade, the main one being opposite the monument to the First World War and knowing this we positioned ourselves near there before the parades started. However, we soon realized that in order to see the dancing we needed to be sat in one of the stands in front of which the groups perform and those stands are not available to the general public. Therefore all we managed to see on the night were the groups walking down the avenue before and after they had performed. There are a few small TV screens on the back of the stands where we could watch what was being broadcast on RTP, but we decided it would be better to watch it later on catch-up TV and went off in search of the traditional arraiais (street parties) which are held in different neighbourhoods.
On the night the streets are decorated with brightly coloured streamers, the unmistakable smell of sardines being grilled fills the air and loud music can be heard everywhere, particularly songs dedicated to the popular saints such as the strangely titled ‘Marcha do Pião das Nicas’ (‘March of the Punchbag’) by Carlos Paião, the chorus of which goes:
Viva o Santo António, viva o São João!
Viva o dez de junho e a Restauração!
Viva até São Bento, se nos arranjar!
Muitos feriados para festejar!
(‘Long live Saint Anthony, long live Saint John! / Long live the tenth of June and the restoration! / Long live even Saint Bento, if it can be arranged for us! / So many holidays to celebrate!’)
On our walk around we came across various parties ranging from an informal gathering on the steps of the Calçada do Lavra, to streets with improvised food and drink stalls and live music that were so crowded with people we couldn’t get down them and a big food fair selling all kinds of food and drink at the Miradouro de São Pedro de Alcântara. In true Saint Anthony style we chose to have a simple but delicious grilled sardine on a slice of bread and a glass of beer served in a plastic cup.
As well as the street parties a feature of the Saint Anthony celebrations is the giving of a manjerico plant (a type of basil) in a pot decorated with a carnation and a small flag with a quadra (a four-line verse) on it. Many of the famous quadras were written by Fernando Pessoa, one of Portugal’s most famous twentieth-century poets. In the past a young man would give the plant to his girlfriend as a commitment to marriage. The giving and receiving of the pot of basil is not so binding nowadays, but the recipient is expected to look after the plant for the next 12 months, when it is replaced with a new one. Traditionally single women received a plant with a pink carnation and married women received one with a red or orange carnation, but nowadays any colour goes!
The main event on 13th June is the procession of Saint Anthony which starts at 5pm at Saint Anthony’s church from where the statue of Saint Anthony is carried through the streets of the Alfama stopping at the cathedral to collect the relic of the saint and at other churches to collect icons of other saints on the way, and returning to the cathedral at 7pm for a religious ceremony before carrying the statue back to Saint Anthony’s church. The procession is followed by thousands of people, many carrying candles or carnations which can be bought from a stall outside the church.
In the entrance to the church we spotted a stall selling very small bread rolls wrapped in paper, the pão de Santo António (Saint Anthony’s bread). These rolls are sold at 30 cents each by the church during the week of the festival of Saint Anthony to raise money for the poor.
The tradition originates from a story that when Saint Anthony was a friar he gave all the monastery’s bread away to the poor and as a result there was none left to feed the monks. The monastery’s baker, believing the bread had been stolen, told Saint Anthony who advised the baker to check again and on doing so the baker found a plentiful supply of bread. Other legends tell of people who over the years have prayed to Saint Anthony and promised to give bread to the poor if he could answer their prayers: one concerns a baker who was unable to unlock the door to her shop until Saint Anthony intervened; and another concerns a mother whose child is believed to have drowned but after praying to Saint Anthony she finds the child is alive.
It is clear from the celebrations that Saint Anthony is a much-loved saint in Lisbon, even if he isn’t the official patron saint of the city, but as a Lisboan told me, if a saint is born in Lisbon he automatically becomes a patron saint in the hearts of the people.
Viva o Santo António!