The Murmuring Coast (A Costa dos Murmúrios) is a film version of the 1988 novel of the same name by one of Portugal’s most respected novelists, Lídia Jorge. It is set in Mozambique in the early 1970s, during the Colonial War when the Portuguese armed forces were fighting to suppress independence movements that were gaining momentum in the Portuguese African colonies. The central character is a young Portuguese woman, Evita (Beatriz Batarda), who arrives in Lourenço Marques to marry her fiancé Luís (Filipe Duarte), a lieutenant in the army and throughout the film we see events through her eyes. On the wedding day she notices a change in her husband, a former mathematician who while at university in Lisbon had discovered a new formula and liked to be called Evaristo Galois. He now no longer wants to talk about maths or be referred to by that name, however, the most significant change is in his patriarchal attitude towards her, telling her to ‘change the way you are. You don’t need to go around showing everyone what you think’. He is particularly angered by the way she voices her political opinions in favour of African independence to his misogynistic captain, Jaime Forza Leal (Adriano Luz), a man that he hero-worships and whom he emulates to the point that when Luís goes away to the front he asks Evita to stay in the room of the hotel without stepping a foot outside until he returns, just as Forza Leal’s wife, Helena (Mónica Calle), does.
The fighting at the front is never shown but we learn about the horrors through a series of photographs that Helena shows Evita. Photographs depicting the Portuguese soldiers, including Luís, committing atrocities on the indigenous people which Forza Leal has kept as proof of his commitment to the cause and that he can show to the relevant people when Portugal wins the war, as he believes it will. The reality is that things are not going well for the Portuguese armed forces and on his return from the front Luís is a broken man and he can no longer convince himself that the Portuguese will be victorious. Meanwhile Evita has taken on her own battle after discovering some suspicious-looking wine bottles on the beach that she believes are connected to the poisoning of hundreds of local indigenous people. Through this she becomes involved with a local journalist, Álvaro Sabino (Luís Sarmento), a man with whom she begins a dangerous affair; dangerous because it mirrors an affair Helena had which ended with Forza Leal killing the man in a game of Russian roulette. Álvaro is a complex character, as he is a white Mozambican and has strong roots in the country, including fathering several children with both white and black women, but who writes for the official Portuguese newspaper. However, he reveals his true allegiance to African independence in a poem that he manages to get published in a little read column of the newspaper, in which he speaks of Africa shaking off Europe and impaling her and, significantly, after Luís finds outs about Álvaro’s affair with Evita it is the Portuguese man who dies, not the Mozambican.
The dichotomies between those who conform and those who question the system and the belief in colonialism and the desire for independence, as well as the dehumanising effects of war, are represented by the four main characters who are convincingly portrayed, particularly by Beatriz Batarda as the outsider Evita and Adriano Luz as the menacing Jaime Forza Leal. Lídia Jorge’s lyrical style does not easily lend itself to adaptation into other genres, but the director, Margarida Cardoso, has sensitively created a cinematic version of the story without losing the essence of the novel. The Murmuring Coast provides some context to the Carnation Revolution of 1974 when a group of army officers, disillusioned by having to fight a colonial war in Africa that they no longer believed in, peacefully overthrew the right-wing dictatorship. The film slots neatly between Tabu (2012), which is partly set in Mozambique in the years just before the colonial war and April Captains (2000), which depicts the unfolding of the events of the Carnation Revolution on 25th April 1974.